Florentina Otari – Dynamic Stillness

Daca in conceptul expozitiei Inside Stillness accentul cădea pe ideea de intoarcere a atentiei spre ceea ce se afla in spatele tumultului existential – linistea, in Outside Stillness pe inexistenta imobilitatii in perpetua
curgere a lumii iar retragerea din tumult vazuta ca vindecare spirituala, prin Dynamic Stillness se postulează duala existenta a linistii, (serenitatii) si a dinamismului (miscarii.) Desi cei doi termeni, dinamic si linistit, se exclud reciproc, ei nu sunt separati. Miscarea si linistea alterneaza, fiecare find fundamentul celeilalte. Tot ce exista in univers apare din liniste si se intoarce in liniste.
Predominanta liniei (prin definitie miscarea unui punct) ca limbaj plastic in aceste lucrari este indicatorul activ care conduce la ideea de curgere, (miscare) spre deosebire de punct sau suprafata care transmit stabilitate, imobilitate. Linii si suprafete in tenta plata coexista in compozitii simple, geometrice.
A treia serie e deopotriva o sinteza a celor două abordări, dar și, în plus, o demonstrație. Apare deodată mult mai clar privirii ceva ce exista deja în lucrările precedente. Anume, muzicalitatea profunda a formelor. Intervale temporare iau locul nemișcării spatiale, iar opusul liniștii nu mai e zgomotul cotidian, ci o partitură artistică ce le înglobează in modul în care muzica sferelor sublimează hărțile galaxiilor. (Florentina Otari & Cristian Cojanu)

English:

If the concept of the Inside Stillness exhibition was centered on what lies beyond the existential noise – the silence, the concept of Outside Stillness on the inexistence of perfect immobility in the perpetual movement of the world and the importance of the artistic retreat viewed as a spiritual healing, Dynamic Stillness postulates the dual co-existence of the being, as serenity and movement.

While regarded as opposite terms, the dynamic and the silent cannot be separated. Each of them finds its grounds in the existence of the other, and everything in the Universe comes from silence and returns to silence.

The prevail of the line as a graphic sign, by definition the movement of the point, stands for the central idea of perpetual flow, as the point or the surface stands for immobility. Lines and flat surfaces coexist in simple, geometric compositions.

The third series is both a synthesis of the previous ones and more. It also brings to light something that was in Florentina’s paintings all the time. The profound musicality of the geometrical shapes. Graphical timeframes take over spatial immobility, and the opposite of silence is no longer the noise of the living, but an original musical score that contains them all, as the music of the spheres distill the movements of the galaxies.

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Post Author: Cristian

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